Relief Plaque of Hindu Deity, Probably Processional: Face of a Deity

待考究
图像译文

这些“面具”很可能是用于制作栩栩如生的神的肖像,金属脸被固定在承载框架上,人物穿着纺织品。此类建筑旨在用于游行用途,正如印度北部西部山区喜马偕尔邦印度教社区的相关做法所示,在节日期间,信徒们会抬着这种类型的神像轿子。

拍摄时间: probably 14th–16th century

拍摄地点: Nepal (Kathmandu Valley)

图像主题: 艺术展览

图像科目: Metalwork

扩展资料

Title: Relief Plaque of Hindu Deity, Probably Processional: Face of a Deity

Date: probably 14th–16th century

Culture: Nepal (Kathmandu Valley)

Medium: Repoussé copper alloy

Dimensions: H. 6 1/4 in. (15.9 cm); W. 5 1/16 in. (12.8 cm)

Classification: Metalwork

Credit Line: Gift of Marie-Hélène and Guy Weill, 1986

Accession Number: 1986.511.3

Inscription: Transliteration:

1) samvat 837 bhādrava kṛṣṇa dasmi-
2) yātithau puṣya nakṣatra siddhi yogya
3) vṛhaspativālasare yate dine jhīkhā (ṣā?)
4) ci kutra virāthabhuka siddha guhasi
5) śrī 3 cakrasamra śri 3 hyeruka dayakaṃ thā
6) panā yāṅā thva pratiṣţāsa o bāhā na-
7) ka bahicāyā vajrācāryya śri bekhā
8) si devajuyāta śrī ratna mukuta sakalya
9) yānā juro, thvateyā jojamāna, obāhā
10) rakuna cheyā, vi(ci?) tāmuni, sayau torayā pakhā
11) cheyā ratna muni deva, maduri pa(ya?) nāsva (mva) la naniyā nala
12) siha deva, thvate somha samucayana, dohorapā, thva makuta sunāna lobha
13) yātasa paṃca mahā pāpa rāka juro. thvatiyā jojamāna yāryathā sāttrapha-
14) ti śubha maṃgara sarvvadā.

Translation:
On Thursday, the tenth of the dark half of Bhādra,during the Puṣyā nakṣatra and the Siddha yoga, the...image(s?) of śrī 3 Cakrasaṃvara, (and?) śrī 3 Heruka was/were made and consecrated by śrī Bekhāsi deva Vajrācārya of Naka Bahicā of O Bāhā; (for this consecration) this jewelled crown was made by his clients, Vitāmuni of O Bāhā, rakuna che; Ratnamuni deva of Pakhā che (wall house) in Sayau tole; and Nala siha deva of Maduri panāsvala nani; these three offered it together: Whoever covets this crown, may he incur the results of the five great sins. (As a result of the merit of this act, may the donors obtain...) (May it be) auspicious for all time.

Comments:
The inscription is written in relatively incorrect Newari, with numerous misspellings.

The fourth line of the inscription, while legible, is extremely difficult to interpret. It may refer to a place, and further may refer to a place in Tibet, since line three ends with "Jhikhā" and four begins with "ci....", which may be a reference to Shigatse, and the rest of the line may be transliterated Tibetan.

The śrī 3 Cakrasamvara and śrī 3 Heruka of the inscription may be repetition referring to the same image; or possibly two images, one of another deity, possibly Hevajra.

Prepared by Ian Alsop, Santa Fe; 19 July 1992
Marie-Hélène and Guy A. Weill , New York (until 1986; donated to MMA)
New York. The Metropolitan Museum of Art. "Art of the Himalayas," December 15, 2010–December 4, 2011.

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